Number 6. Relient K – MMHMM

Number Six. Relient K – MMHMM (November 2, 2004)

Choosing my favorite Relient K album is like choosing my favorite flavor of cheesecake. They all have their own distinctive touch, but they’re all made from the same basic goodness. Yet when I saw people declaring MMHMM as one of the best pop punk albums of the decade, I decided that I agreed with their sentiments. Relient K is perhaps the only band that has grown with me and my musical tastes over the years, from the cheesy junior high pop punk of the Anatomy… days all the way up to this year’s college-esque post-punk folk-indie Forget And Not Slow Down. But if everything I love about them could be constrained to a single album, it would be the one that represents the pinnacle of their storied career: the Relient K that started to leave behind the sillier aspects and mature both lyrically and musically, but before the lineup started changing and becoming a sort of super-band of former Christian rock bands.

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The Most Significant Musical Releases Of The Decade: A Personal Journey

NOTE: This is the Ridiculously Long Prelude to my Actual List, which is linked here:
Week of 10/18 – Honorable Mentions (#14-#11)
Week of 10/25 – #10. Lord of the Rings
Week of 11/1 – #9. How To Save A Life
Week of 11/8 – #8. The Beautiful Letdown
Week of 11/15 – #7. Awakened
Week of 11/22 – #6. MMHMM
Week of 11/29 – #5. The Alchemy Index
Week of 12/6 – #4. A Collision
Week of 12/13 – #3. Brother, Sister
Week of 12/20 – #2. Define The Great Line
Week of 12/27 – #1. All The Houses Look The Same

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Little more than two months remain in this decade… well, unless you want to be technical and say the decade ends on a ’0 year, but come on, when we say “the 80′s,” we’re not talking about 1990, so let’s call this decade 2000-2009. Anyway, it’s almost over, and I’ve been reflecting on those years and the influence they’ve had on my life, particularly in the realm of music.

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Artists I’ve Discovered Since Switchfoot Last Released An Album

Way back in December 2006, I either did not consider myself of a fan of the following, or I did not know they existed:

- Deas Vail
- Children 18:3
- Thrice
- David Crowder Band
- MUTEMATH
- mewithoutYou
- Tyler Burkum
- House of Heroes
- Brave Saint Saturn
- Project 86
- A Fine Frenzy
- The Glorious Unseen
- Showbread
- Ian McIntosh

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CORNERSTONE 2009 – WEDNESDAY (JULY 1)

Wednesday morning I had the bright idea to put in my contacts outside at the sinks where there were mirrors, even though I had successfully applied them without a mirror the previous day. The pleasant breeze, however, quickly chastised me for this idea, and I resigned to wearing my glasses the rest of the week. At least Emily claimed I looked good in them.

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TOP 8 ALBUMS OF 2008

Yes, this is only 8. But #8 is technically 2-in-1, and #5 is technically only one-half but #4 is technically three halves. This list is so full of EPs and concept releases and fancy projects that the numbers don’t really matter. So let’s go.

#8. Relient K
The Bird And The Bee Sides EP

Known for releasing a small EP between full-lengths, Relient K went overboard this time and gave us 26 tracks of new and old stuff. With something that ambitious there’s naturally a lot to skip over, but there’s plenty of great classic Relient K here. I’m really digging their current direction of a more laidback, layered acoustic sound that still has their classic creativity and instrumentation but without the old simple 1-2 punk rhythms. Read more of this post

TOP 10 SONGS OF 2007

And you thought I was all done with my silly year-end lists that probably interest me far more than anyone who may skim through this note. But what can I say? I love music and numbers. And you may have noticed a conspicuous lack of individual songs in my previous annual musical honor roll.

#10. “Bubbly” by Colbie Caillat

No, there’s not really anything manly about liking this song, but hey, everyone should be allowed at least one yearly guilty pleasure. I also confess that I didn’t know how to correctly spell her name until I looked it up five minutes ago to download off iTunes.

#9. “Shoreline” by Deas Vail

My favorite debut artist of 2007 and their hauntingly soothing piano-led wonder.

#8. “Made to Love” by tobyMac

Toby gets his first contemporary Christian radio hit and cements his skills as a first-rate wanna-be hip-hop/rock/I-have-no-idea-but-he-sure-is-entertaining star. Fun stuff.

#7. “(*Fin)” by Anberlin

Don’t be put off by the fact that half of the title is made up of non-letters. This nine-minute epic ballad album closer depicts open questioning from a man who feels like “the patron saint of lost causes.” Anberlin’s best songwriting to date.

#6. “You Picked Me” by A Fine Frenzy

This indie-ish redhead delivers a charming love song: “Like an apple on a tree, hiding out behind the leaves / I was difficult to reach / but you picked me,” almost whispering the last three words with a purely delightful inflection.

#5. “The Bird and the Worm” by The Used

Managing to pack vivid strings, pounding rhythms, and hollow echoes into a surprisingly intense four minutes with sprinkled sound effects, The Used fulfills the satisfying mini-epic that last year’s “…Black Parade” almost was.

#4. “Tonight the Stars Speak” by The Glorious Unseen

Ambient worship at its finest, the broken surrender of this song refocuses and refreshs the wandering and weary heart: “How long til your voice speaks clearly?/ How long til your arms envelop me?/ I cry, be my strength when I am weak / O Lord, have mercy on me please

#3. “The Sound of Truth” by As I Lay Dying

The strongest track musically and lyrically on AILD’s frenetic double-bass-pounding, guitar-slaying metalfest, Tim Lambesis strips away our clouded motives and challenges, “For what use is there in praying/ If you will only hear what you want to hear?/ We have all heard what we wanted to hear / “Truth” that sounds right to our ears…” The intensity digs deep into the heart and the head.

#2. “Dashboard” by Modest Mouse

This bouncy single offers a refreshingly optimistic outlook on life in that amusingly poetic that only Modest Mouse can offer: “Well, it would’ve been, could’ve been worse than you would ever know/ The dashboard melted, but we still have the radio…/ the windshield was broken but I love the fresh air y’know…

#1. “Deathbed” by Relient K

Eleven minutes.

Several dozen instrumental tracks.

8 key changes.

9 tempo changes.

A complete story in the lyrics.

Lots of piano.

Guest singing by Jon Foreman.

What’s not to love?

Relient K – Let It Snow Baby, Let It Reindeer

(Originally posted at AbsolutePunk.net)
Only seven months after their latest studio recording, was it really necessary for Relient K to re-release their four-year-old Christmas album with a handful of new tracks thrown in? Maybe not, but who said fun treats had to be necessary?

The boys begin with the classic “Have Yourself a Merry Little Christmas,” a smooth 6/8 introduction complete with harmonies, sprinklings of bells, and underlying piano, setting the tone for the album: the pop punk Relient K that we love, dipped in that delightful Christmas spirit. A brilliant rendition of “Sleigh Ride” builds slowly from Matt Thiessen’s vocals and light piano touch into a Vince Guaraldi-esque drum pattern and a catchy bell hook that will be stuck in heads through the holidays and long after. The pop-punk beat and harmonies kick in, all the while keeping us swaying to the swing rhythm.

We are soon jolted back to the Relient K of 2003 with “Angels We Have Heard on High” in their older punk-influenced style, from the invariable snare hit on beats 2 and 4 to the quick, steady muted guitar chords, and, of course, the pleasant harmonious echoes of “Glo-o-o-ria.” Soothing piano-led renditions of “Silent Night” and “Away in a Manger” lead into “I Celebrate the Day,” a beautiful, worshipful ballad to the one whose birth is celebrated, in which Thiessen reflects on his life’s progress (or lack of it) over the last year and the hope offered by Jesus.

“I’m Getting Nuttin’ for Christmas” is a fun throwback to the retro-RK punk style and their somewhat abandoned goofy side. “Boxing Day” begins to close the album by reflecting on the annual post-Christmas sadness of the passing holiday season but finding hope by remembering that “Christmas makes way for spring.” And as a final reminder that Relient K haven’t quite forgotten their silly “hidden track” side, “Good King Wenceslas” is a hilarious offering of falsetto and ukulele.

In forty-eight minutes, Relient K remind us of all the things we’ve loved about them over the years: the catchy pop-punk layered with bells and piano, the pleasant harmonies, the clever instrumental variety, and lyrics that bring smiles to our faces and, in this case, a Christmas spirit to our hearts. And by reminding us of where they’ve come and where they are now, they also send us off looking forward to the next full-length studio release.

Merry Christmas, indeed.

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